Fine Art

FRIEZE, the contemporary art fair launched to much critcal and commerical acclaim in Regent’s Park last year, is to have a supporting act this October.

THE recently published, enlarged and revised second edition of Peter McEwan’s indispensable Dictionary of Scottish Art and Architecture describes the Perthshire-born landscape painter Joseph Henderson (1832-1908) as “one of Scotland’s half-forgotten painters who deserves better recognition than he has hitherto received”.

WHAT is billed as the first ever selling exhibition of early Armenian art to be held in a commercial gallery will be mounted by Sam Fogg at 15d Clifford Street, London W1, from September 22 to October 15.

REGULAR readers of Scott Reyburn’s Art Market will be only too aware that many equestrian paintings by Sir Alfred James Munnings (1878-1959) have in recent years shown significant increases in value. As he reported as recently as Antiques Trade Gazette No 1648, July 17, Munnings’ oil sketch Newmarket Cheveley was the only work to dramatically exceed its estimate in Sotheby’s Important British Picture sale on July 1.

Right: sold for £4200 in the July 21 sale held by Lyon & Turnbull at Jordanstone, an Ayrshire country house, was Rowlandson’s The Comforts of Bath, a set of a dozen prints issued by Fores in 1798, and here loosely inserted in an album of full red crushed morocco.

OMENS could not be better for the 20/21 British Art Fair, which, from September 15 to 19, returns to its roots at the Royal College of Art, Kensington Gore, London SW7 after a couple of years down the road at The Commonwealth Institute.

SOLD for £30,000 at Bonhams on July 15 (as part of the big natural history sale) was a rare series of six mid-18th century engravings dealing with the training of racehorses.

CAPE Cod auctioneers Eldred’s of East Dennis had a busy August schedule and results from their series of Asian and Americana sales will appear in future US Selections, but seen here are two of the 970 lots found in an August 12-13 sale of Fine & Decorative Art.

SOMETHING in the region of $1.2m (£660,000) was taken at a July 31-August 1 sale held by the Neal Auction Company of New Orleans and two 20th century photographs (one reproduced right) were among the more successful lots.

OFFERED by Christie’s New York on June 25 was a magnificent unbound set of the plates that make up Audubon’s great Birds of America (1827-38) that came from the library of the Dukes of Saxe-Meiningen in Thuringia.

AS usual, the London Photograph Fair is fully booked for the event this Sunday (September 12) at the Bonnington Hotel in London’s Bloomsbury, WC2.

SOLD for £25,000 at Sotheby’s on June 25 was a group of letters, documents and sketches by Giovanni Francesco Barbieri, or Il Guercino [the ‘Squinter’], his painter nephew, Benedetto Gennari and his patron Claudio Bertazzoli, that relate to the former’s altarpiece for Santa Maria della Pieta dei Teatini in Ferrara – The Purification of the Virgin.

FOR their selling exhibition of 70 Japanese woodblock prints to the end of November, the Japanese Gallery at 66D Kensington Church Street, London W8 have chosen the theme Snow, Moon & Flowers.

SHIP portraits are, as one might expect, popular with bidders at Eldred’s East Dennis auction galleries on Cape Cod.

COLLECTING fashions come and go, but the redoubtable Marcel Dyf (1899-1995) never seems to be short of admirers. This signed 23 1/4in x 2ft 4in (59 x 71cm) canvas, right, La Courbe de la Rivière, was the lone picture highlight of Dreweatt Neate’s (15% buyer’s premium) August 24 sale in Bristol when it sold to the London trade at £7600 against an estimate of £4000-6000.

THE Fergusson show at Alexander Meddowes, coincides with Edinburgh’s exhilarating annual Festival, which brings with it not only hundreds of incredibly diverse theatrical shows but a good sprinkling of art exhibitions too.

BACK in London, Chris Beetles of Ryder Street in St James’s has just opened his amusing annual show of cat pictures, which, as always, features an important group of works by the world’s most famous exponent of the genre, Louis Wain (1860-1939).

SCULPTURE, which accounted for a quarter of Tajan's (20.33% buyer's premium) August 3-4 sale, fared better than the pictures, with two thirds of the 18 lots finding a taker, although Le Créateur, a small Rodin bronze that began proceedings, fell stone dead – bought in at €15,000 against an estimate of €20,000-30,000.

DESPITE having success in his day, it seems a major oversight that marine artist Neville Sotheby Pitcher (1889-1959) does not make it into the specialist reference books such as E.H.H. Archibald’s The Dictionary of Sea Painters.

TURN the clock back some 30 years, and regulars to Bonhams’ Knightbridge rooms might just recall a rather dapper, pinstripe-suited auctioneer by the name of Alexander Meddowes.