Fine Art

SIX lots from Bonhams' (17.5/10% buyer's premium) March 22-24 sale at The Old Rectory, Banningham will be making their way back whence they came, National Trust curators having identified them (Bonhams had only spotted one) as having been bought by the Rev. Hall & Son at the 1951 contents sale of Oxburgh Hall in Norfolk. The house now belongs to the Trust which rescued it from demolition.

THERE was no doubt about which were the two outstanding lots at Hamptons’ (15% buyer’s premium) March 24 picture sale in Godalming.

UNLIKE the market for oil paintings, where traditional images appear to be going through something of a mini-revival, print auctions show signs of being a sector where the critical mass of demand has shifted permanently towards Modern and Contemporary.

ST JAMES'S specialists in Asian art Jonathan Tucker and Antonia Tozer are among the many exhibitors who enjoyed success at the recent International Asian Art Fair in New York where they sold some fine early monumental pieces of sculpture.

THERE was some erratic bidding for the pictures which dominated Belgian auctions in March.

BONHAMS notched up a clutch of auction records and an impressive £1.28m total for the Albion Collection of portrait miniatures in Bond Street on April 22.

AFTER 19 years, The London Original Print Fair is still the only event of its kind in Europe and it goes from strength to strength, as you will see when it runs this week from April 22 to 25 at London’s Royal Academy of Arts.

ON Radio Four’s Desert Island Discs of April 28 the castaway was painter Jack Vettriano (b. 1954). When asked by presenter Sue Lawley how much he thought his celebrated oil, The Singing Butler, would sell for at Sotheby’s on April 19, Vettriano’s response was that it would exceed the top estimate of £200,000.

WHILE print devotees will be flocking to The London Original Print Fair (April 22-25) this week at the Royal Academy’s new space in Burlington Gardens, off Old Bond Street, it should not be forgotten that there are currently a number of other events celebrating the printmaker’s craft.

ON Thursday March 18 thieves broke into the Oxfordshire home of ex-jockey and racehorse trainer Stan Mellor and stole silver and works of art.

THE gulf in value between fully authenticated pictures and those with mere attributions was clearly in evidence on March 4 when this 18th century Irish School landscape, right, came up for sale at the Amersham Auction Rooms in Buckinghamshire.

With a dozen works by the artist currently on show at Tate Britain’s Pre-Raphaelite exhibition, Sussex auctioneers John Nicholson (15% buyer’s premium) could hardly have picked a better time to offer a watercolour by George Price Boyce (1826-97) than at their March 17 sale in Fernhurst.

ONE of the hottest Modern British names in the last few years, has been Winifrid Nicholson (1893-1981), whose half-length portrait of her husband Ben Nicholson made a record £100,000 at Lawrence’s, Crewkerne in January 2002.

BUCKINGHAM-based Dickins Auctioneers have pulled a major rabbit out of the hat for their inaugural Spring picture sale on April 17 by including a previously unseen collection of 24 Erté (1892-1990) gouache theatrical costume designs which will include this one, right, for Showgirls.

OF the 830 lots offered in Fieldings (12.5% buyer's premium) February 28 sale, a painting provided the highest price but a chair the biggest surprise.

THE Royal Museum & Art Gallery of Canterbury have acquired a van Dyck portrait of one of the city’s most famous sons from one of London’s leading Old Master picture dealers.

EVERYONE is aware of how rich a thin stratum of Russians have become in the post-glasnost years. The buying power of Russia’s new rich was amply in evidence on March 23 at Bonhams (19.5/10% buyer’s premium) Bond Street when the spectacular 3ft 1in x 5ft 8 3/4in (94cm x 1.74m) canvas, Nero’s Torches, by Henryk Siemiradzki (1843-1902) sold at £260,000 at an otherwise fairly predictable 19th Century Paintings sale.

AFTER more than 10 years of research by a specially convened group of international scholars, Sotheby’s have revealed to the world’s press what they describe as a “newly-acknowledged” work by Johannes Vermeer (1632-75).

A POPULAR breed, a popular artist, plenty of puppies, totally fresh to the market, a come-hither estimate... When it came to dog paintings, this signed Arthur Wardle (1864-1949) canvas of a long-haired Jack Russell terrier with her pups had pretty well everything going for it when it came under the hammer at Wintertons (15% buyer’s premium) of Lichfield on March, estimated at just £2000.

BOUGHT for a few pounds at a Surrey church bazaar within the last five years, this James Abbott McNeill Whistler (1834-1903) pen and ink drawing, right, made a tidy profit for its vendor when it fetched a surprise £26,000 at Rosebery’s (15% buyer’s premium) Quarterly Select Auction in West Norwood, South East London.