Disaster of a collection, triumph of a sale

FINE ART buyers may recoil from bloodied dead game or memento mori skulls on still lifes, but the rest of the market knows no such delicacy. Death and disaster, after a suitable lapse of time, become marketing opportunities, as was demonstrated at the Chiswick rooms of Harmers (15% buyer’s premium) on October 22 when their wide reputation as philately auctioneers brought them the remarkable Günther Heyd Disaster Mail collection from Germany.